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Contemporary Black American Cinema offers a fresh collection of essays on African American film, media and visual culture in the era of global multiculturalism. Integrating theory, history and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis: they address legacies of Black film stars, examine various iterations of Blaxploitation-animation, question the comedic politics of "fat suit" films, celebrate the innovation of avant-garde and experimental cinema, and more.