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People all over the world dance traditional and popular dances that have§been staged for purposes of representing specific national and ethnic groups.§Anthony Shay suggests these staged dance productions be called "ethno identity§dances", especially to replace the term "folk dance," which Shay suggests§should refer to the traditional dances found in village settings as an organic§part of village and tribal life. Shay investigates the many motives that impel§people to dance in these staged productions: dancing for sex or dancing sexy§dances, dancing for fun and recreation, dancing for profit - such as dancing§for tourists - dancing for the nation or to demonstrate ethnic pride. In this§study Shay also examines belly dance, Zorba Dancing in Greek nightclubs and§restaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.§