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This is a study of Bartok's opera "Bluebeard's Castle". It adopts a broad approach to the study of opera by introducing, in addition to the expected music-dramatic analysis, topics of a more interdisciplinary nature that are new to the field of Bartok studies, including a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith. This book is intended for musicologists, theatre historians, opera singers and listeners.