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Alfred Stieglitzs 1907 photograph of passengers on a ship bound for Europe, known as The Steerage, is an icon of modernist photography and one of the most famous images ever made by an American photographer. In two complementary essays, Elizabeth Anne McCauley (a photo historian) and Jason McDonald (a photographer) reassess this seminal image, exploring the social and aesthetic concepts that informed Stieglitzs vision, explaining how the work achieved its status as a masterpiece, and examining its meaning as a stand-alone work as well as the many narratives that developed around it.